Over the decades I’ve worked closely with some of South Africa’s most recognisable broadcasters, in particular John Berks, Stan Katz and Gareth Cliff. In different ways, each of them became inseparable from the platforms they occupied and helped build. That kind of brilliance is rare. And it’s powerful.
John Berks is an early example. The fledgeling Radio 702 skyrocketed when he joined all those years ago. Berksie wasn’t just a broadcaster, he was a true “morning man”. With John, his brand was his voice – a voice that shaped how people woke up, thought, laughed and argued – and the studio was both his kingdom and his shield. He connected deeply with his audience, and that was his gift. But that level of connection also left him exposed. The platform amplified everything – the brilliance, the humour…and the loneliness too.
What’s significant here is that John was still held inside a structure. In traditional broadcasting, the broadcaster is important, but the platform is bigger than the person. Producers, managers, a team – and a much slower media cycle – created distance between the man and the platform. His brilliance was allowed to shine, but it didn’t consume everything around it. The system could occasionally restrain him without erasing him.
Stan Katz, in a different way, lived with a similar tension. Stan was a legendary broadcaster and creative force whose energy shaped the culture around him. He transitioned into management and while he was a charismatic leader, his effectiveness relied on partnership and shared leadership. We ran 702 together for many years and became so closely entwined that we were spoken about as a single entity – “Stan&Rina”. The partnership became part of the brand itself.
Where John’s brilliance was held by a system, Stan’s was held by relationship. That distinction is important because partnership can be a powerful container, but it’s also more vulnerable. When those dynamics shift, the balance shifts too. What matters is whether there’s enough shared structure, integration and mutual accountability around it to hold intensity without letting it spill into the organisation.
Gareth Cliff’s journey shows how this dynamic has evolved over time. His rise through radio and television from 702 to 5FM’s morning show and Idols turned him into a national brand long before he owned a platform of his own. He wasn’t just a presenter – he became a recognisable voice and face of a generation. But during those years, he still operated inside large institutions with producers, management, advertisers, broadcast rules and reputational guardrails. The brand was powerful, but it was shared.
The real change came with independence. When we launched CliffCentral, Gareth became not just the voice, but the platform itself. The broadcaster, the brand, the business and the worldview collapsed into one. At the time this was bold and genuinely ahead of the curve, but it also removed the separation that had previously existed. When the person is the platform, everything becomes personal. And in the current social media landscape, even the last remaining boundary of private life increasingly becomes part of the brand.
What these men share, in different ways, is this: once brilliance becomes inseparable from the brand, the system starts responding to the individual rather than the work. Ironically the very things that built the brand – challenge, friction, debate, strong partners – are often the first to be pushed away. The question quietly shifts from “Is this working?” to “Who would I be without this?”. That’s a scary place when your sense of self has been shaped in public – when applause, outrage and revenue are all pointed directly at you.
John Berks used to tell a story about Bob Hope struggling with retirement – “Why don’t you just go fishing?” people asked Bob. His reply: “Because fish don’t applaud.” It’s a joke…but it’s also painfully accurate.
Sustainable brilliance needs separation – between role and self, platform and person, performance and private life. It fails when it grows larger than the system holding it, and there’s nothing left to push against.
Click below to read the next chapter:
6. When Echo Chambers Replace Dialogue